Cathedral Of Devastating Wait

Sunn O)))
Dømkirke
Southern Lord
OOOO

It must be scary for the Grimmrobed ones to dare give a master to a pressing plant, or so is the way they are acting; after the almost unanimous acclaim they received for 2005´s (yes, three years ago, kids) Black One, attempting a new album that’s not twice as mindblowing would be considered shit in the eyes of the all knowing, all seeing dronefanhood, so they keep releasing stop gap records while they can. While last year’s Oracle was patchy at best, this year’s Dømkirke is a bit more flourished and developed, continuing to experiment with the drone metal formula borrowed from Earth but adding and substracting many elements, their m.o. for most of their career; opening with a grand organ dirge accompanied by Mayhem’s Attila Csihar’s pseudo-gregorian vocalizations, the band (playing here inside a massive Norwegian cathedral) goes to familiar, if quieter ground on the second side of the offering, with a trombone adding colour to the sustained guitar chords (yep, they have been listening to Robe.) while Attila and the organ re-enter the picture around halfway through. Side three, meanwhile continues with a little calmness over more sustained notes and feedback tones (and some sound processing thanks to noise wizard Lasse Marhaug) to scale into a murkier patch of sound that continues to the next side, letting go only to find Attila calming everything with his humming voice accompanied just by the organ to lull the visitors into it’s drone. With a journey that ebbs and flows like this, i’m not sure if it’s good or bad that Sunn O))) keep pushing expectations for their next studio album, considering the high quality of material like this

Sunn O))) - Cannon.mp3