Sunday, August 07, 2005

Melvins - Mangled Demos From 1983


Melvins
Mangled Demos From 1983
Ipecac

http://www.themelvins.net/
OOOO

Mucho antes de que se arrastraran fuera de Aberdeen para llegar a San Francisco y deprimir a todo el mundo de tal manera que acabaron cambiando las reglas del juego, los Melvins eran solo otro entretenimiento de preparatoria para Buzz Osbourne, Matt Lukin and Mike Dillard (así es, aun sin Dale Crover) que hacían entre ponerse o súper pedos o súper pachecos; mientras demuestran que tenían la esencia de lo que querían desde el principio, eran punk pinche rock, tres acordes, bataca en chinga, a la verga con todo lo demás punk rock; solo tenían que bajarle la velocidad a su desmadre (gracias a cierto futuro baterista) y oír mas Sabbath para finalmente convertirse en LOS MELVINS. Algo extra que tiene esta colección es el ensayo que King Buzzo’s escribió, o mas bien “departamento de quejas” en el que usa dicho espacio para discutir tópicos como la gente que le gusta fumar mota pero no chupar chelas, por que Krist Novoselic tiene la necesidad de ser un representar en el senado al pinche pueblo de ignorantes del cual todos huyeron y de los relatos de un punk convertido en cantante de Metal Church. Entre mas cambian las cosas, mas siguen igual y eso es excelente en cuanto a Melvins se trata.

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Way before they sludged out of Aberdeen to San Francisco and bummed everyone out so much they actually changed the rules of the game, they were just a high school entertainment for Buzz Osbourne, Matt Lukin and Mike Dillard (that’s right, not Dale Crover yet) they did in between getting super drunk or super high; while it shows they had the essence of their shit down from the start, they were punk fucking rock, three chords, fast drumming, fuck everything else punk rock; they just had to slow the shit down (courtesy of a certain subsequent drummer) and listen to more Sabbath to really become THE MELVINS. Added bonus to this collection are King Buzzo’s liner notes, or more like “ranter notes” in which he takes the time to discuss the finer points of such topics as how some people like to smoke weed and not drink beer, why Krist Novoselic would like to become a Senate representative of the shitty hick town all of them ran away from and the amusing relates of one punk turned Metal Church frontman. The more things change the more they stay the same and that’s rad fucking o when that involves the Melvins.

chequen algunas rolas en el blog de Buddyhead/check some songs at Buddyhead's
blog

Darkest Hour - Undoing Ruin


Darkest Hour
Undoing Ruin
Victory
http://www.darkesthour.cc/
OOO

Bueno, es el tiempo del año para death metal escandinavo (o wanscandinavian, por wannabes); aunque siguen siendo mejores que Atreyu (si, ya entendimos que quieren ser como Evanescence sin las clases de canto) o Avenged Sevenfold (¿qué pedo con estos idiotas? Se creen Guns N’ Roses darketos o algo así...esperen, los GN’R darkeros son L.A. Guns, pero estos no son tan buenos, aunque sea LAG tocaban “The Ballad Of Jane” y Tracii era en guitarrista original de GN’R, así que ellos pierden), Darkest Hour son solo otros de los millones de bandas que toman prestando casi todo de At The Gates e In Flames del principio para poder aproximarse aunque sea un poquito a algo tan clásico y totalmente pocamadre como Slaughter Of The Soul, pero siempre acaban dejando que desear porque copian todo; pero en lo que se refiere a bandas tocando en un género estrecho y limitado, los Hour son bastante buenos en eso. Este se parece mucho a su disco anterior, pero esta vez demuestran mas dinámica y mejor composición, lo cual se aprecia. Si lo único que quieres son un par de buenos riffs y una buena headbangueada, entonces oye esto.

--

Well, it’s a Scandinavian (or Wanscandinavian) death metal time of the year; while they’re still better than Atreyu (yeah, we get you want to be Evanescence without the singing lessons) or Avenged Sevenfold (what’s with those idiots? They think they’re like the goth Guns N’ Roses...wait, the goth GN’R is L.A. Guns, but these guys aren’t as good, at least LAG had “The Ballad Of Jane” and Tracii was the original guitarist in GN’R, so these guys lose), Darkest Hour are just another of the minions of bands borrowing everything from At The Gates and early In Flames to try to actually come near to something as timeless and downright badass as Slaughter Of The Soul, yet always fall short because they’re copying everything; but as far as bands within a narrow and limited style of music go, the Hour are pretty good in it. This one is kinda like their last album, but this time they show a little more dynamic and better songwriting, which are appreciated. If you’re just looking for a couple of nice riffs and well proceeded headbang, then listen to this.


Sound The Surrender.mp3
With A Thousand Words To Say But One.mp3

Thrones - A Day Late, A Dollar Short


Thrones
A Day Late, A Dollar Short
Southern Lord

http://www.themelvins.net/pics/morgue/joe.html
OOOo

Joe Preston, un tipo que ha fumado hierba metalera con tantas bandas stoners que he perdido la cuenta, pero no bandas cualquiera, estamos hablando de Melvins, Earth y SunnO))) para empezar. Su banda (o proyecto o lo que sea) Thrones no solo envuelve todo lo que es doom pero a veces también recuerda a Flipper rezando en la iglesia durante el servicio de Sabbath Bloody Sabbath; repeticiones, voces ahogadas y ambiente nauseabundo de barco. Este recopilatorio de rarezas demuestra que las peores cosas en la vida pueden ser grabadas y pueden llegar a oírse bien y a veces chistosas.

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Joe Preston, a dude that has smoked metal grass with so many stoner rock bands i lost count of, but not just regular bands, we’re talking Melvins, Earth and SunnO))) for starters. His band (or project or whatever) Thrones not only wraps all that’s doom but sometimes it recalls Flipper praying at church during Sabbath Bloody Sabbath service; all repetition, gagged up vocals and dreadful seasickness ambience. This odds and ends comp demonstrate that the worst things in life can be put to tape and they can sound good and sometimes funny.


Oracle.mp3

Deerhoof - Green Cosmos EP


Deerhoof
Green Cosmos EP
Menlo Park

http://deerhoof.killrockstars.com/
OOo

Indie j-pop bonito sin ser j o pop. Rolas chulas que son...bueno...chulas; buena música de fondo, creo, aunque se acerca a neutral para mi. No puedo esperar a ver la caricatura cuyo soundtrack es este.

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Pretty indie j-pop from neither the j nor the pop. Cute songs that are just...well...cute; pretty good background music, i think, it’s kinda pulling into neutral for me. I can’t wait to watch the cartoon this is soundtrack of.


Baja un monton de canciones mejores de/Download a bunch of better songs by Deerhoof: http://puzzle.suchfun.net/deerhoof/

Belle & Sebastian - Push Barman To Open Old Wounds


Belle And Sebastian
Push Barman To Open Old Wounds

Matador
http://www.belleandsebastian.co.uk/
OOOOo

Estos tipos son bien conocidos por sus singles y sus respectivos lados-b, hay gente que se vuelve loca por comprarlos, y ahora ha salido este cd doble, que recopila un montón de estos. Yo nunca había escuchada a B&S en realidad antes de esto (¿blasfemia, dicen?) y tengo que decirles, es una excelente introducción, no es solo algo ‘para fans’. Triste pero con espíritu, estas canciones ya están grabadas en tu alma, oyendo a la banda tocarlas, hace que den comezón para que te des cuenta otra vez que existen.

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These guys are well known for their singles and it’s b-sides, people go insane to buy them and shit, well now there’s this double cd set that collects a big bunch of them. Now, i really hadn’t listened to any B&S before (blasphemy, you say?) and i got to tell you, it’s a great introduction, not just a ‘for fans’ affair. Sad yet spirited, these songs are already engraved in your very soul, listening to the band play just make them itch for you to notice them again

Art Brut - Bang Bang Rock N' Roll


Art Brut
Bang Bang Rock N’ Roll

Fierce Panda/Banana
http://artbrut.nikkidido.com/
OOOo

¿Que pasaría si los Strokes copiaran a The Fall en vez de a Joy Division y a Tom Petty? Entonces sonarían a Art Brut...carajo! pensé que esta analogía me iba a servir para toda la reseña, eso fue rápido. Bueno, no son tan malos como los Strokes o sus Mini-Me’s, Interpol, y de hecho este álbum jala en una manera increíblemente Inglesa con humor seco y parodiándose a si mismo. Muy bueno, de hecho.

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What if the Strokes took to The Fall instead of Joy Division and Tom Petty? Then they would sound like Art Brut...damn! i thought the analogy was gonna serve me for the whole review, that was fast. Well, they’re not as bad as the Strokes or their Mini-Me’s, Interpol, actually this record rocks in a very dry humour, self parodying and incredibly English way. Pretty good listen, actually.


stream Emily Kane

Architecture In Helsinki - In Case We Die


Architecture In Helsinki
In Case We Die

Bar/None
http://www.architectureinhelsinki.com/
OOo

¿A quién debemos culpar por esto? A Cardinal o a Neutral Milk Hotel? O talvez es culpa de Flaming Lips, también pudo ser. Podríamos inclusive decir que esto es todo por Bitchfork Media, quienes recibieron un empujón en nuestra lista de muertes. No se por que, pero ¿que pedo con el indie pop mágico? Y para mi, este disco me suena exactamente a Broken Social Scene (se que hay diferencias pero son tan sutiles que al fin de cuentas no importan), no tan malo a punto de repulsión pero muy blando, de poco riesgo y sin personalidad. Apuesto a que también tienen por lo menos 18 personas en esta banda.

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Who should we blame for this? Cardinal or Neutral Milk Hotel? Or maybe it’s the Flaming Lips’ fault, it could have also been Belle & Sebastian. We could even go on and say it’s all because of Bitchfork Media, who just got a push higher up in our death list. I don’t know why is it, but what’s with the whimsical indie pop trend? And to me, this album sounds just like Broken Social Scene (i know there are differences, but they’re so subtle, it doesn’t matter in the end), not repulsive-like bad but very bland, safe and faceless. I bet they have at least 18 people in the band as well.


Mary Timony - Ex Hex


Mary Timony
Ex Hex
Lookout!

http://www.marytimony.com/
OOOOo

Que álbum tan hipnotizante!, es atmosférico y envuelve pero tiene canciones! Y estoy hablando de excelentes canciones. Suena como un palomazo enorme chocando con una sesión de composición de rolas; esto rockea pero es lo suficientemente calmado para que descanses con el.

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What an entrancing album!, it’s just envolving and atmospheric but with actual songs! And great songs, mind you. It’s sounds like a big ass jam with a songwriting session colliding together; this rocks but it’s also low key enough to chill to it.


Friend To J.C.mp3

Boredoms - Seadrum/House Of Sun


Boredoms
Seadrum/House Of Sun
Vice/Warner

http://www.boredoms.co.uk/
OOOOo

Por lo que oímos a principios de su carrera, nadie hubiera imaginado que los Boredoms sacarían un disco instrumental...un disco sin palabras, si, pero no uno sin vocales. Seadrum es casi instrumental, en el cual sacrifican dinámica por pura atmósfera, y de que crean un ambiente que va a acelerando de esto es algo que se merece alabar. La gente que se queja de que esto no se compara con Vision Creation Newsun, su disco antes de este, y de lo demás debería de callarse, estar agradecidos que tenemos un disco de los Bore ante nosotros (o EP o lo que sea, no importa si es viejo o lo que sea, tampoco) y ponerse a escucharlo de veras, vale la pena dar su tiempo mas que desperdiciarlo escribiendo ensayos en sus message boards, blogs y páginas de internet sobre que tan malo es.

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Judging from their early career, no one would have imagined the Boredoms doing an instrumental album...a wordless album, sure, but not without vocals. Seadrum is an almost instrumental album, which sacrifices dynamics for pure atmosphere, and that they create an accelerating ambience of it is something worthy of praise. People who complain about this shit compared to Vision Creation Newsun, the last one, and everything else should stop bitching, be grateful we get a Bore album (or EP or whatever, doesn’t matter if it’s old or whatever, either) and really listen to it, it’s worth your time more than writing essays on message boards, blogs and websites about how much you think it sucks.

Nile - Annihilation Of The Wicked


Nile
Annihilation Of The Wicked
Relapse

http://www.nile-catacombs.net
OOo

Se supone que Nile es lo máximo en cuanto a bandas de death metal se refiere, pero en este disco demuestra que son como cualquier banda genérica de death metal. La canción larga en este disco es una de las mejores del género jamás grabada, así que no es desperdicio total.

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Nile are supposed to be the end all be all death metal band of all, but on this album they just demonstrate that they are like all generic old death metal band. The long song on this one is one of the best death metal songs ever put to tape, so it’s not a total waste.


Lashed To The Slave Stick.mp3

Leng Tch'e - The Process Of Elimination


Leng Tch’e
The Process Of Elimination
Relapse

http://www.razorgrind.com/
Oo

¿Que puede decir “copia barata, genérica, y poco original” mejor que el grindcore? ¿Y como puedes hacer de un genero tan chingón algo aburrido y malo? Ahora TU también puedes todo esto con este espectacular paquete; en esencia, tomamos el grindcore y lo desarmamos, reemplazando las partes buenas con death metal, con todo y riffs reciclados, gruñidos comunes y cambios predecibles. Todo esto por $280 pesos. Pero esperen, aun hay mas...de hecho, no lo hay.

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Who can say “generic, unoriginal bland copy” better than grindcore? And how can you make such a cool genre so bad and boring? That’s right, now YOU too can do all that with this nifty package; in essence, we take grindcore and strip it off to replace the good parts with death metal, complete with recycled riffs, by the numbers growling and predictable changes. All that for just $14.99. But wait, there’s more...actually, there isn’t.


Clarity Denied.mp3
Glamour Girl Concubine.mp3

Enthroned - Xes Haereticum


Enthroned
Xes Haereticum
Napalm

http://www.enthroned-horde.com/
OOOO

Hablando de un bulldozer lleno de odio, este escarba con tanta velocidad y cacofonía, necesitaras amarrarte a algo grande, estable y aguantador. Incluso le suben a la esquizofrenia black metalera añadiéndole texturas medio industriales a su formula de alaridos y blastbeats. ¡Vamos misantropía!

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Talk about a hateful bulldozer, this one plows away with so much cacophony and speed, you’ll need to strap yourself to something big and sturdy and stable. They even up the black metal mayhem by adding some industrial-like soundscapes to the blastbeats n’ shrieks formula. Go mysanthropy!

Six Organs Of Admitance - School Of The Flower


Six Organs Of Admitance
School Of The Flower
Drag City

http://www.sixorgansofadmittance.com/
OOO

Hippie-dippie folk acústico, que parece ser muy popular con los niños estos días, con Devendra y Sufjan siendo la mamada este y el año pasado. Los Six Organs podría enorgullecer a Donovan pero me es difícil gustarme esta música, es demasiado blanda y sin riesgos para mi, no es que no la aprecie por lo que es, pero es algo que casi no oigo a menudo; pero, la canción que le da titulo al disco va a acabar en mi lista de canciones del año, empezando acústica pronto se saca una bataca excelente y luego una guitarra distorsionada toda loca, expandiendo la rola a 13 minutos totalmente emocionantes; si el resto del disco fuera así, entonces sería fan.

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Hippie-dippie folk acoustic jams, they seem to be popular today with the kids, what with Devendra and Sufjan being the hottest shit last and this year. The Six Organs could make Donovan proud but i really can’t get into this music, it’s just too safe and bland for my tastes, not that i don’t appreciate it for what it is, but it’s something i don’t listen to almost at all, so it’s a biased review; yet, the title track will end up in my “songs of the year” list, starting as an acoustic jam it branches into awesome drumming and crazy fuzzed out guitar, expanding the song to 13 totally exciting minutes; if the rest of the album was like that, i’d be a fan.

Black Mountain - Black Mountain


Black Mountain
Black Mountain
Jagjaguwar
OOOo

Este colectivo amorfo nos trae una explosión del pasado; a veces se oye a Velvet Underground, a veces a Black Sabbath, otras como Pink Floyd y otras mas pocas a Sly And The Family Stone (con todos los niños y niñas cantando juntos como gente de todos los días). Y aún así, rescatan esa parte que hace falta en la música de hoy en día, la calidad; un disco bien balanceado y una buena escuchada.

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This amorphous collective delivers a blast from the past; at times it sounds like the Velvet Underground, sometimes like Black Sabbath, a few like Pink Floyd and very fewer like Sly And The Family Stone (what with all the boys and girls singing together like everyday people). Yet, they rehash the one part missing from a lot of music these days, quality; a well balanced record and good listen.


Bajen canciones en el blog de Buddyhead/Download song at Buddyhead's blog

Khanate - Capture And Release


Khanate
Capture & Release
Hydrahead

http://www.ideologic.org/
OOOO

Es todo por el doom, con tanta muerte y oscuridad, te sentirás como si te hubieran enterrado vivo, pero no importa tanto ¿o si?; después de todo, el aire esta sobrevaluado.

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It’s all about the doom, with so much darkness and death, you’ll feel like you’ve been buried alive, but it doesn’t matter that much; after all, air is overrated

Coffins - Mortuary In Darkness


Coffins
Mortuary In Darkness
Razorback

www.coffins.jp
OOO

A diferencia de otros maestros japoneses del doom Boris, estos güeyes no tienen una versión muy extrema u original del metal, en vez de eso, queman su álbum a la Kentucky Fried Chicken con salsa barbicue marca Eyehategod para ese sabor miserable; pesado y depresivo pero ya casi todo se ha oído antes.

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Unlike the other Japanese doom-meisters Boris, this guys don’t cut a very original or extreme version of the metal, instead they southern-burn their album in Eyehategod BBQ sauce for that miserable taste; heavy and bummed out but pretty much already heard off.


Slaughter Of The Gods.mp3

Turbonegro - Party Animals


Turbonegro
Party Animals
Burning Heart

www.scandinavianleather.com
OOO

Wow, el mejor disco que ha hecho AC/DC desde, ¿qué, principios de los 80’s? O mas bien, un disco que a AC/DC le encantaría hacer. Aún ofensivo, aun en mezclilla, aun gay, todo lo que esperas de Turbo excepto que esta vez les Pro-Toolearon el alma; uno no se debe acercar a un disco así de pulido, podrías resbalarte y pegarte en el culo. Canciones como “City Of Satan”, “All My Friends Are Dead” y “Blow Me Like The Wind” (probablemente el mejor titulo en todo el disco) son rolas buenas pero, comparado con Ass Cobra y Apocalypse Dudes, esto suena a Warrant...mal Warrant, sin power ballads, que era lo unico que Warrant hacían bien; pensándolo bien, Turbo pudiera haber usado una que otra gasta-encendedor, tal vez para la próxima.

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Wow, the best album AC/DC has done since, like, the early 80’s? Or rather a record we wish AC/DC would do. Still offensive, still denim, still gay, everything you xpect from Turbo except that this time they Pro-Tooled the shit out of them; a record this slick isn’t to come close to, you might slip and fall on your ass. Songs like “City Of Satan”, “All My Friends Are Dead” and “Blow Me Like The Wind” (probably the best title here) are some great tunes but, compared to Ass Cobra and Apocalypse Dudes, this sounds like Warrant...bad Warrant, minus the power ballads, which were the only good thing Warrant did; come to think of it,Turbo could have used a couple of lighter burners, maybe next time.


All My Friends Are Dead.mp3

Thursday, August 04, 2005

Scissor Shock te necesita/needs you

Bueno, por fin hoy pude subir la entrevista de Scissor Shock y me parece que quedo bien, pero ahora Scissor Shock tiene un problema, necesita su ayuda de todos los que se interesen en esta gran banda y, a traves de su mano caritativa, incluso obtendran su propia cancion de exclusivamente escrita y grabada por la banda.

El problema es que quieren atracar a Adam Cooley (acerca de un accidente que no ocurrio pero las otras personas insisten en proceder legalmente), sin seguro, sin experiencia legal y sin poder pagar un abogado, Adam decidio pagar la suma que piden los denunciantes la cual es total de $608.53 (dolares por supuesto), el problema es que no tiene dinero, y ahi es donde entra su ayuda, si le mandan $3 dolares (o mas, es una cantidad minima sugerida), Adam se encargara de grabar una cancion personalizada y exclusiva para el donante, la cual se las hara llegar como MP3, incluso pueden decirle como la quieren (si rapida o lenta o ultra rapida o ultra gritada), asi ayudaran a su causa. (Por razones de tiempo y espacio, no pude traducir todo el post original de Adam, pero lo reproducire exactamente en la parte en ingles, abajo de esto)

Pueden mandar sus donativos a: por PayPal (para cheques y money orders)mradamcooley@hotmail.com.
Por correo tradicional en efectivo:
-Adam Cooley
342 N Gladstone Ave
Columbus, IN 47201

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So finally today i got to post the Scissor Shock interview and it seems everything turned out fine, but now the band has a problem, they need the help of everyone who's interested in this fine band and, thru your helping hand, get your own exclusive song written and recorded by the band.

So here's Adam Cooley's description of everything, i'll let him explain in detail everything, just keep in mind that he took the message straight from MySpace so disregard any mention of that:

"Okay, about 2 months ago, some asshole backed his car into mine as I was in the mall. I came out and dude and wife had called the cops and a cop showed up and said that it was MY fault, that I had hit them, and I contested it, and cop said, "Well, they're the ones who called." And I said, "I WOULDN'T HAVE CALLED EVEN IF THEY HAD HIT ME!" Because, guess what, folks? There was no damage. No bumps, no paint chipping, no scratches. Nothing.

And so, the cop had me back up and he examined this. I talked to him a few days later and asked if he had seen any damage. He maintained that the accident was still my fault but that, no, he hadn't seen damage and that I probably wouldn't hear from those assholes again.

A month later, I heard from those assholes again. Or their insurance company, at least. And they said "Give us a statement." I gave 'em one, and they talked to the cop who said he didn't see any damage. And then their insurance company said, "Okay, I put it right here on the claim report: No damage. According to the cop. You probably won't hear from us again."

A month later, today, I get a letter in the mail. I owe $608.53 for damages from where I supposedly hit dude and wife and it left a scratch and the paint had to be refinished. I went down to their insurance company today and blasted everybody (not with a gun). I was pissed. I called up the dudes who wants the money and said, "Listen, I got a fucking statement from the cop saying he didn't see any damage! THERE WAS NO DAMAGE!" And he said, "The cop isn't a qualified mechanic. It's just his opinion." And I said, "HE WAS MY WITNESS. 5 MINUTES AFTER THE QUOTE-UNQUOTE 'ACCIDENT', HE SAW NOTHING. NO DAMAGE TO HIS CAR, NONE TO MINE." And he said, "You owe $608.53. I need it in a few months. If you wanna take it to court, you can."

So, I explained that the cop even said he'd go to court with me, and he said, "But the cop isn't a mechanic! It won't make a difference!" And I said, "Wow, a police man's word means NOTHING anymore? I find that hard to believe! The dude could have put a scratch on his car after that day!" And he said, "So, you're saying he did that?" And I said, "I'd like not to think so, but common sense says that there was no damage the day of the accident or the day before, so it had to happen after that, right?" So, we argued for forever, and he said either I take em to court or I start paying $75 a month. I have to let him know in a few weeks.

So, I thought about court... court COSTS, hiring an attorney, even fucking talking to an attorney is at least $40. Then, what if dude is right? What if the cop's opinion doesn't matter? What if I lost? Then, I'd have to pay $608.53 AND the court costs AND the lawyer AND the gas money driving to court and back AND buying a suit (okay, the last one doesn't matter, but I'd want to look good in court, man!). So, I am thinking right now.. fuck it. I'll just pay the shit. Maybe I'll change my mind in the next few weeks, but $75 a month ain't much.

Except that I'm currently unemployed. Yeah yeah, I'm going to start looking for a nice and cushy 3rd shift job next week, making a little better than minimum wage and never being able to sleep again. But whether I get hired or not is not the point; I fucking am going to be spending $608.53 of my dollars that shouldn't be going out at all!

So, I've come up with a plan. I have lots of myspace friends, right? Well, what if THEY helped me pay? "WHAT?!!! YOU'RE ASKING US FOR MONEY? WE LOVE YOUR MUSIC, BUT.. MONEY?! YOU WANT MONEY FROM US?!!" Listen, folks. I would never ask you dudes for money. All 4000+ of you mean something to me... either I added you cuz you're cool or you added me cuz you think I'm cool. Or like my shitty music. Whatever. But I feel like we have a sense of trust, a sense of togetherness now. And this is when I need you most.

So, here is an idea I have. For the cost of $3 (yes, THREE DOLLARS!), I will make a song for you. That's right. I will program, scream over, speed up, manipulate, have sex, whatever you want, for only $3. Or you can give me more money, I don't care. But for every $3 I get from a person, I will make a song for you. And upload it to yousendit and you can download it. A specialized song. It won't be the best quality thing ever, as I may have to make a few thousand of these, but you know what? It'll give you guys a sense of accomplishment for giving me money. And it'll give you a specialized song from (hopefully) one of your favorite artists! I can't send the songs on CD-R, because I don't have money to buy CD-R's or pay for stamps (unless you give me more than $3 *wink wink*). But, yes, please please do this. I thank you all in advance.

So, basically..

Paypal me $3 (or more!) to mradamcooley@hotmail.com or send it to me to:

Adam Cooley
342 N Gladstone Ave
Columbus, IN 47201

No matter what you do, leave me your email address so I can send you a link to the mp3 (or the mp3 itself). You can specify if you want a slow song, a fast song, a REALLY fast song, and you can even give me lyrics to sing or tell me who the song is about or what. But it will be a special song just for you. No kidding.

If you all don't mind, and I know I'm asking a lot here, but you could put this message up on your journals, myspaces, or message boards. I just.. sigh.. I just need help. Please.

Thank you all for understanding during this time of need. I love you tons, folks."

Wednesday, August 03, 2005

Entrevista/Interview: Scissor Shock



ENGLISH READING PUBLIC: ACHTUNG!: No, i haven't gone all spanish, i decided that from now on i'll be writing stuff in both languages, the english transcript of this interview is down where the spanish one ends. Y AL PUBLICO HISPANO LEYENTE: He empezadoa traducir la pagina entera (o mas bien lo mas importante), ya estan algunas reseñas, aun falta pero pronto estaremos ahi, segan pendientes.

Por Marcos Hassan

Scissor Shock tocan un tipo de musica que es imposible de ignorar, es corta, es rapida, esta supre amontonada con basura y ruido y es apocaliptica. Tambien es musica muy divertida para escuchar, como una fiesta en el planeta Bizarro. Pero ellos vienen de Columbus, Indiana; muy improvable de que sea un lugar donde la musica avant-garde se cree, pero aun asi nos ha dado uno de los mejores de este tipo hoy en dia. Y se podria pensar que esta banda se repita una y otra vez con un genero muy estrecho y una mission muy estrecha de solo hacer sonidos irritantes pero cada album (o fase) la banda a pasado es diferente de cada uno (o una), demostrando un sentido de evolucion que dificilmente se encuentra en el rock convencional, sin mencionar en la parte extrema de este. Una banda muy sarcastica con titulos de canciones como “Writing The President Kill Theme Song” (“Escribiendo La Cancion Tema De Matar Al Presidente”), “Santa Got Me A White Belt For Chrismas” (“Santa Me Trajo Un Cinturon Blanco Esta Navidad”), “Urethra Franklin” y “Forever Celebrating The Death Of Ectoplasm” (“Celebrando La Muerte Del Ectoplasma Para Siempre”), chance quieres ahogarlos en el lago mas frio que puedas encontrar o elogiarlos como la banda mas punk en el universo, los herederos en estetica de Butthole Surfers, Boredoms, Atari Teenage Riot, Brianiac y Wolf Eyes. Hable con el fundador/lider/occasional unico miembro Adam Cooley y el Nuevo guitarrista Sean Edwards sobre tocar en vivo, Highlander y el Papa.

Marcos Hassan (The Obsolete): Presentense
Adam Cooley: Hola, mi nombre es Adam Cooley, conocido de Scissor Shock. Somos techno ruido psicodelico math glitch jazz grind speedcore rock de Columbus, Indiana.
Sean Edwards: Soy Sean, toco guitarra.

Como empezo la banda?
Adam: En navidad de 2002, encontre una guitarra y un amplo muy baratos ($100 dolares por los dos). La semana siguiente, decidi tartar de hacer algunas canciones con su sonido naturalmente delgado y bizarro. No trate de hacer canciones raras o algo asi, solo algunas canciones que pense eran interesantes. Bueno, naturalmente, tengo periodos muy cortos de atencion, las canciones se convirtieron en locuras. Hemos explorado el grindcore de videojuego, ruido psicodelico y montones de otras cosas a traves de los ultimos 2 años y medio, pero tres cosas se mantuvieron: Un enfasis en la bateria, muchos gritos y una complejidad demente. Y asi es. Las cosas evolucionaron, y ahora Sean esta en la banda, tocando guitarra y eso.



Creen que Scissor Shock es un colectivo o si alguna vez lo sera?
Adam: Recientemente tocamos un show en vivo, y el show incluyo un guitarrista adicional (Sean Edwards) y en ESE show en particular, teniamos a nuestro amigo Norton gruñiendo en una cancion. Scissor Shock a evolucionado a traves del tiempo, y sigo impresionado que pudimos tocar en vivo. Para que todo se pudiera juntar fue muy inpensable. Aun sigo programando toda la musica y esas cosas, pero es bueno que tenga la ayuda de Sean y otra gente. Quiero que la experiencia en vivo sea interactiva; como, que la gente misma ayude a hacer las tocadas. Si alguien quiere subirse al “escenario” para ayudarnos a traves de la tocada, eso estaria bien. Si puedes aportar algo, entonces hazlo. Aunque nuestra musica esta en constante evolucion, el show en vivo, creo, sera bueno para los fans de nuestra banda, sean de antes o nuevos. Mientras mas envejecientes Baby Boomers se junten a traves de sus bifocals en la plataforma Lance Hendrix-iana de su propia mortalidad, una pregunta ocurre con frecuencia atontante: A donde vamos despues de la llamada en el Bistro Earth?

Bistro Earth, ¡por supuesto! ¿Que es lo que les hace identificar tanto con musica corta, disonante y abrasiva?
Adam: Nada, estoy mas interesado cuando la gente se siente comoda con una idea y empiezan a adoptar una forma de pensar para su propia banda como si fuera LA regla para la musica en general. Un ejemplo es Lightning Bolt. 3 cuerdas de bajo y una de banyo y un bataco que destroza su bateria. Vocales de vez en cuando, lo que sea... pero ellos escriben estas canciones basadas en estas “limitaciones” y han aceptado lo que son, y en verdad disfruto cosas asi. Ya sea que esten escribiendo canciones de 30 minutos o de un minuto, se me hacen muy aplicables. ASI es como la musica se debe oir para ellos. Pienso que si una banda puede sacar sus sonidos con musica larga, libre de forma y fatalista, eso es bueno. Scissor Shock usualmente usa la musica corta, disonante y abrasiva que describiste porque mis periodos de atencion son muy cortos. Quiero decir, se que la gente dice que la vida comienza a los cuarenta. Si, si eres pinche Highlander. Pero, sabes, el resto de nosotros trata de entender algo de este indecifrable parloteo de las suposiciones de todos los demas a esperar a lo que nos espera detras de la puerta numero 3 en el frasco de muerte de Monty.
SEAN: Hmmm... basicamente, me gusta la musica corta, disonante y abrasiva porque no sigue y sigue y te aburre. Como que va a lo que va y luego se va a algo que se oye completamente diferente. Si.

Yo estoy impresionado que hayan mencionado a Highlander, ese guey roqueaba...roquea...lo que sea. ¿Cual piensan que es el mensaje que dan en su musica?
Sean: Uh...Tenemos alguno, Adam?
Adam: ...
Sean: "Get crunk't, kill a ho."
Adam: Haha. Me gustaria que la gente llegue a sus propias conclusiones. Tratamos de abrir mentes, pero no quiero saturar a la gente con mi musica. Es como, que es esta musica para TI? Un riff de guitarra puede ser la cosa mas bella o mas fea para los oidos de cualquiera. Quien sabe? No se lo que la gente piensa de nuestra musica, solo tu lo sabes. Carajo, estoy muy cliché hoy.
Sean: No nos gustan las mujeres, las drogas estan bien, mata a una monja, y luego viola su cadaver putrefacto, y luego roba su grasa y sus musculos y vendeselos a los niños en los parques.
Adam: ...las opinions expresadas por Sean Edwards no son exactamente las opinions de Scissor Shock.

Que es lo que les gustaria lograr con la banda?
Sean: Que la gente vea algo nuevo cada vez y que la gente piense un poco diferente.
Adam: Si. Bueno, Ya he ganado $60 dolares y tengo 4000 amigos en myspace. Es un buen comienzo. Tambien, esta es la Segunda entrevista que he hecho, y acabamos de tocar un show en vivo. A parte, hemos sacado cosas en disqueras muy chingonas (xdiedenroutey, brokecore, excitebiketapes, !!!PLUG PLUG PLUG!!!). Creo que logrado algo... y estoy agradecido por eso. Creo que ahora mi meta principal en la banda es abrir un poco la mente de las personas y tartar de hacer que pasen cosas interesantes. Creo que el sue;o de todas las bandas es hacer de la musica emocionante otra vez, y yo voy y usare ese cliché. ¿Sabes cuantos discos verdaderamente originales y chingones he oido en el 2005 que hayan salido en el 2005? Ni Uno. Eso me molesta. Yo solo quiero tocar en vivo y convertirme en algo enorme. Y cuqlquiera que haya querido vernos, eventualmente nos vere y nos oira. Basicamente, en algun lugar hay alguien sentado que necesita una banda como Scissor Shock y aun no la tienen. Quiero darles esto a ellos.



¿Que es musica para ustedes?
Adam: El arte de organizar sonidos.

(pausa) Bueno, ok. ¿Alguna vez han tocado mientras estan ebrios o algo asi?
Sean: Haha, bueno...casi nunca...hmm...no.
Adam: Nunca he tomado drogas, bebido, fumado ni nada. Es raro. Nuestra musica tiene algo de “droga” asociado con ella...la gente la oye y dice "Esto esta fumado. DEBEN de haber estado drogados." Chistoso.

¿Quien piensan que son sus contemporaneos?
Adam: No estoy seguro aun...

Ustedes apenas empezaron a tocar en vivo, ¿como ha sido su experiencia?
Sean: Muy divertido...quiero decir, yo me diverti mucho.
Adam: Bueno, hemos tocado un show hasta ahora. Fue MUCHO mejor de lo que pense seria. Nada se jodio, fue muy facil, fue divertido, y la gente se quedo viendo sin saber que pensar. INCREIBLE!

Me da gusto saberlo, se nota por las fotos. Han covereado canciones de Big Black ("Passing Complexion") y Six Finger Satellite ("30 Lashes"); ¿que hace a un buen cover, en su opinion?
Adam: ¿Sabes?, es gracioso, me gustan muy pocos covers. Me gustan algunos de Kindergarten Hazing Ritual y me gusta "Take On Me" de Cap'N Jazz...no se...Creo que un buen cover es basicamente cuando tomas la cancion que estas coveriendo y la haces tuya.
Sean: Si, debe oirse similar a la cancion (original)...como, sabes de quien es, pero debe reflejar tu propio estilo de musica y tener algo diferente tambien.
Adam: Si.
Sean: Si.

Recientemente, escribieron un ensayo detallando la grabacion de su disco Super Yum Surgeon Boy, que tan importante es el proceso, ya sea de escribir canciones o de grabacion, para ustedes?
Adam: Bueno, pienso que es importante que la gente comparta sus tecnicas y eso, especialmente los artistas que hacen sus propias grabaciones con el presupuesto de unos cuantos centavos, como yo. Me preguntan mil veces al dia "¿COMO HACES TU MUSICA? QUE USAS?" Y creo que el punto que quiero reiterar es que no importa lo que use, la mayor parte de la gente probablemente no conseguira el mismo resultado con lo que ellos usen. Tu solo tienes que…usar lo que uses...uh, si. Me estoy saliendo del tema. Me gusta detallar las pendejadas que hago, porque leerlo despues me hace llorar, solo que tristemente representa el hecho de que paso mas tiempo leyendo y escribiendo sobre musica en vez de escuchar o hacerla. Pero, bueno.


Oye, Yo tengo una fanzine!! Yo lo se todo acerca de escribir y leer demasiado de musica y no hacerla, aunque me paso mucho tiempo oyendo tambien. Piensan si la musica solo vivira en forma digital exclusivamente en el futuro cercano?
Adam: Si, absolutamente. Es gracioso, compraria cds mas seguido, pero son muy pinches caros. El otro dia, vi Entertainment! de Gang Of Four en una libreria y costaba $19.99 (dolares). ¿Cuando salio ese disco? ¿1977 o algo asi? Lo que quiero decir es, en serio, ¿un disco de 40 minutos que salio hace casi 30 años por $20?. Eso es ridiculo, yo no soy rico. (Edicion: Lo que Adam no tomo en cuenta es que esa la reedicion con 8 canciones extra y muchas cosas y que el disco estuvo fuera de edicion por muchos años pero su punto es claro, yo no lo compre por el precio precisamente) Hacer un CD nada mas cuesta 43 centavos (de dolar), y esa es la parte importante, en verdad. Me gusta el arte y eso, pero acabas viendo el arte, las letras y lo demas de la informacion en sus paginas de todas formas. Entonces si, pienso que la musica eventualmente sera totalmente en MP3s y CD-Rs. Dale 10 años mas. ¿Has notado que la frase "In God We Trust" ("En Dios Nosotros Confiamos") solo aparece en la denominacion mas baja de la moneda (de Estados Unidos)? Llegas al billete de $1000, y solo dice: "Dios, Creo Que De Aqui En Adelante Puedo Solo."



Creen que Johnny Merzbow es un personaje en su musica o han pensado si puede convertirse en algo recurrente en sus discos?
Adam: Johnny Merzbow es un scanner de policia. Es todo lo que sabemos. Puede que sea solo un zombie del Departamento de Trafico enputado que te hace irte hasta el final de la fila de idiotas detras del tipo que tomo una sola clase de Tai Chi y fue a un bar de motociclistas a aprobarla. Esta paraado en frente de ti en la posicion de la gruya con un taco de billar saliendo del culo, con la parte gruesa por adentro.

¿Se inspiran en otras cosas a parte de la musica, como peliculas o libros o alguna otra cosa?
Sean: Encuentro mi motivacion de mi unico heroe verdadero, el Papa. A veces, rezo y pido de su consejo y escribo lo que siento, hombre...lo que siento.
Adam: Toda la musica que hago viene de mi vida boba.

¿Que es lo que han estado escuchando ultimamente?
Sean: GWAR, Placebo, Fantomas, Pixies, Slowdive, Pig Destroyer.
Adam: +/-, .poundsign., !!!, 1.6 band, 1905, 1-speed bike, 31 knots, 400 blows, 90 day men, a day in black and white, a handful of dust, a luna red, a minor forest, a problem of alarming dimensions, a silver mt. zion, a spectre is haunting europe, a trillion barnacle lapse, aarktica, aaron dilloway, ac newman, accelera deck, acetone, aceyalone, acid motherstemple, advantage (the), aereogramme, a-frames, achim reichel, agitation free, agoraphobic nosebleed, air, air conditioning, airport girl, aislers set, aix em klemm, akarso, akimbo, alan licht, albert ayler, albert marcoeur, albrecht d, alcrataz, algarnas tradgard, all 7-70, alec empire, alternative tv, alvaro, alvin lucier, ame son, amm music, amon duul, amon duul ii, angel hair, animal collective, antipop consortium, aphex twin, arab on radar, arcane v, at the drive-in, atari teenage riot, athenian mercury, atom and his package, babyland, bananas (the), bellini, bellmer dolls, berg sans nipple, biblical proof of ufos, big black, bill orcutt, bjork, black cross, black dice, black eyes, blonde redhead, bloodthirsty butchers, boredoms, boris, botch, brainbombs, brainiac, bread and circuits, breadwinner, breather resist, brian eno, bride of no no, broken social scene, broken spindles, bucket full of teeth, bugskull, built to spill, burning star core, burmese, burnt by the sun, butthole surfers, cali gari, c average, califone, calla, calvary, camera obscura, cannibal ox, cap'n jazz, captain beefheart, causey way, charles bronson, child pornography, chinese stars, chrome, circle takes the square, clouddead, cobra kai, computer cougar, coachwhips, coalesce, coathanger '84, cock esp, comets on fire, company flow, converge, couch, crack: we are rock, cracker factory, cranes, crash normal, cream abdul babar, crom-tech, crimson curse, crispy ambulance, cub, cul de sac, dazzling killmen, deerhoof, deftones, despise you, DEVO, die monitr batss, dismemberment plan (the), dj rotting corpse, don caballero, double leopards, dracula does calculus, dragbody, drive like jehu, drowningman, dysrhythmia, earlimart, early day miners, earth, echoboy, eighties matchbox disaster, el da sensai, el guapo, elastica, electric company, electric wizard, eligh, ellen allien, embrace, empress, enablers, end on end, engine down, engine kid, enon, entrance, envy, erase errata, esg, esoteric, espers, euphone, even as we speak, examination of the..., ex-models, ex-girl, experimental audio research, experimental dental school, fantomas, flying luttenbachers, forcefed glass, former members of alfonsin, forstella ford, four hundred years, four tet, frodus, from ashes rise, fuck, fuck...i'm dead, fugazi, funeral diner, f.y.p, gang of four, ganger, gas, gastr del sol, ghost, ghosts & vodka, giddy motors, girlfrendo, girls against boys, glass candy & the shattered theatre, go betweens, go sailor, god is my co-pilot, godflesh, godspeed you black emperor, guitar wolf, guns n' roses, guyana punch line, gravediggaz, hair police, half japanese, hanatarash, hella, henry's dress, honor role, hot snakes, hum, i hate myself, i love you but i've chosen darkness, infomatik, i, robot, ian dury, iceburn, icewater scandal, icy demons, ida, idle tigers, idlewild, ifihadahifi, ignition, ikara colt, ill bill, ilya, imitation electric piano, impossible shapes, indian summer, ink and dagger, isis, isotope 217, ivy, jackie-o-motherfucker, jessamine, jesus lizard, jim
o'rourke, joan of arc, joanna newsom, john cale, john coltrane, john henry west, john wiese, john zorn, jonathan fire*eater, joseph arthur, joshua fit for battle, joy division, joy zipper, jr ewing, juana molina, jucifer, julia, june of 44, juno, juno reactor, j-zone, kaito, kamikaze missions, kaos pilot, karate, karp, kate bush, kayo dot, kc accidental, keelhaul, keith whitman fullerton & hrvatski, kerosene 454, khanate, kid606, kid kilowatt, kid koala, kill me tomorrow, kindergarten hazing ritual, knifehandchop, kraftwerk, lab partners, labradford, laddio bolocko, ladybug transistor, lake of dracula, le shok, les savy fav, liars, lightning bolt, lost sounds, lotus eaters, love and rockets, love as laughter, love like electrocution..., loveliescrushing, low, low skies, l'spaerow, lull, lumen, lustre king, lycia, lydia lunch, lync, lynx,macrocosmica, mad capsule markets, magic markers (the), masonna, mastodon, mclusky, melt-banana, merzbow, metronome, miracle chosuke, mk ultra, mocket, morrissey, motocompo, mr bungle, my bloody valentine, my cat is an alien, my lai, my morning jacket, mystery girls, naked city, nation of ulysses, need new body, neon hunk, neutral milk hotel, no knife, number girl, numbers, nurse with wound, ocean colour scene, of sinking ships, off minor, officer may, omoide hatoba, oneida, ooioo, ooo, opal, o'rang, orchid, organ!, orthrelm, oswego, otis redding, out hud, outkast, outrageous cherry, ova!, oval, owen (the kinsella's), oxbow, oxes, painkiller, passenger of shit, pavement, pink and brown, pixies, placebo, polysics, q and not u, racebannon, radio 4, rah bras, ranger raccoon, rapeman, refused, robad pills, rocket from the crypt, rovo, ruinhorse, scissor girls, scissor shock, screamers (the), secret chiefs 3, servotron, shellac, sick lipstick, silver apples, shakhauchi surprise, six finger satellite, slint, slowdive, smiths (the), sonic youth, space streakings, spoozys, squarepusher, stagedive suicide, stylex, sun city girls, sunny day real estate, super junky monkey, sushi smash, swans, ted leo, television, thee michelle gun elephant, themselves, thunderbirds are now!, to live and shave in la, tora! tora! torrance!, turbonegro, twodeadsluts onegoodfuck, u.s. maple, ufo or die, ugly casanova, unicorns, usaisamonster, venetian snares, vicious hairy mary, violent onsen geisha, violent ramp, vss (the), wesley willis, whirlwind heat, whitehouse, wired, wolfgang dauner, wolf eyes, woorden, xbxrx, xerobot, xhol, xhol caravan, xiu xiu, ya ho wa 13, yaphet kotto, yellow swans, yoko ono, you & i, young and sexy, young ginns, zephyrs, zoviet france, zazen boys, znr, zoobombs, zweistein.



¿Que es lo que sigue para ustedes?
Sean: Universidad? Muerte? ASESINATO? No se, Me voy a ir a Denny’s en 15 minutos.
Adam: Voy a besar a mi novia en la mejilla.


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Página y tienda de Scissor Shock: www.geocities.com/scissor_shock
Scissor Shock en
MySpace
Bajen como 40 canciones de Scissor Shock en
Soundclick
Brokecore Records:
http://brokecore.chuunk.com/
Excitebike Tapes:
http://www.exbxtapes.com/
Xdiedenroutey Records:
http://www.xdiedenroutey.net/
Fotos del primer concierto en vivo de Scissor Shock cortesía de la pagina de la banda

DE ULTIMA HORA: Scissor Shock los necesita!!


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By Marcos Hassan

Scissor Shock play a kind of music that is impossible to ignore, it’s short, it’s fast, it’s ultra cluttered with junk and noises and it’s apocalyptic. It’s also very fun to listen to, like a party from planet Bizarro. But they hail from Columbus, Indiana, hardly a hot spot for avant-garde music yet it gave us one of the best of this kind right now. And you think this band might repeat itself over and over with such a narrow genre and mission just to make annoying sounds, but each album (or phase) the band has endured is different from each, demonstrating an evolution hardly found today in conventional rock, let alone the extreme kind. A very sarcastic band with song titles like “Writing The President Kill Theme Song”, “Santa Got Me A White Belt For Chrismas”, “Urethra Franklin” and “Forever Celebrating The Death Of Ectoplasm”, you might want to drown them on the coldest lake you can find or praise them as the next punkest band ever, the aesthetical heirs to the Butthole Surfers, Boredoms, Atari Teenage Riot, Brianiac and Wolf Eyes. I talked to band founder/leader/sometimes only member Adam Cooley and newcomer guitarist Sean Edwards about playing live, Highlander and the Pope.


Marcos Hassan (The Obsolete): Introduce yourself
Adam Cooley: Hello, my name is Adam Cooley, of Scissor Shock fame. We are techno noise psychadelic math glitch jazz grind speedcore rock from Columbus, Indiana.
Sean Edwards: I'm Sean, I play guitar.

How did the band started?
Adam: For Christmas 2002, I got a really cheap guitar and amp ($100 for both). The following week, I decided to try to make some songs with it's naturally tinny and bizarre sound. I didn't try to make weird songs or anything -- just songs I found to be interested. Well, naturally, I have a short attention span, the songs became just ridiculously insane and it went from there. We've explored video game grindcore, psychadelic noise, and tons of other things throughout the past 2 1/2 years, but three things remain the same: An emphasis on drums, tons of screaming, and insanely complex. And so it goes. Things evolved, and now Sean is in the band, playing guitar and shit.



Do you think Scissor Shock is a collective or if it ever will become one?

Adam: We recently played a live show, and the live show included an additional guitarist (Sean Edwards) and on THAT particular show, we had our buddy Norton make growls on a song. Scissor Shock has evolved over time, and I'm still kind of in shock that we were able to play live. To bring it all together is just mindboggling. I still do all the programming and stuff, but it's nice to have input from Sean and other people. I want the live experience to be somewhat interactive; as in, the crowds themselves help make shows. If anyone wants to join us on "stage" to help us through our set, that'd be fine. If you can bring anything to the table, then go ahead. Though our music is constantly evolving, the live show, I think, is pleasing to any fans of our band, new and old. As more and more aging Baby Boomers peer through their bifocals at the haggard Lance Hendrixian face of their own mortality, one question seems to occur with numbing frequency: where do we go after last call at Bistro Earth?

Bistro Earth, sure! What is it about short, dissonant, abrasive music that appeals to you so much?
Adam: Nothing. I'm more interested when people become comfortable with an idea and they start adopting a mindsight for their particular band as if it was THE rule for music itself. An example is Lightning Bolt. 3 bass strings and a banjo string on a bass and a drummer that tears up the drum set. Occasional vocals, whatever...but they write these songs based on these "limitations" and they've accepted what they are, and I really enjoy things like that. Whether they're writing 30 minute songs or 1 minute songs, I find that all very appealing. It's like THAT is what music should sound like to them. I think if a band can only pull off their sounds with long, drawn-out, doomy music, that's cool. Scissor Shock just usually uses the short, dissonant, abrasive music that you described because my attention span is too short. I mean, I know people say life begins at forty. Yeah, if you're the fucking Highlander. But, you know, the rest of us are trying to make sense out of the indecipherable babble of everyone else's best guess as to what awaits us behind door number 3 in Monty's death jar.
Sean: Hmmm...basically, I like short, dissonant, abrassive music because it doesn't drag out and get boring. It kinda gets to the point and then moves on to something completley different-sounding. Yes.

I’m still stoked you named-dropped Highlander, that dude rocked...rocks...whatever. What do you think is the message in your music?
Sean: Uh...do we have one Adam?
Adam: ...
Sean: "Get crunk't, kill a ho."
Adam: Haha. I'd just rather people draw their own conclusions. We're trying to open minds, but I don't want to cram our music down people's throats. It's like, what does the music mean to YOU? A guitar riff can be the most beautiful or the ugliest thing to someone's ears. Who knows? I don't know what people think of our music, only you know that. Damn, I'm so cliché today.
Sean: We don't like women, drugs are okay, kill a nun, and then rape her rotting corpse, and then steal her fat and muscle(s) and sell it to little children at playgrounds.
Adam: ...the views expressed by Sean Edwards are not exactly the views of Scissor Shock.

What do you want to achieve with Scissor Shock?
Sean: To let people see something new each time and to get people to think a little differently.
Adam: Yes. I mean, I've already made about $60 and have 4000 myspace friends. That's a pretty good start. Also, this is the second interview I've done, and we just played a live show. Plus, we've released shit on some great labels (Xdiedenroutey, Brokecore, Excitebiketapes, !!!PLUG PLUG PLUG!!!). I think I've achieved quite a bit... and I'm thankful for that. I guess my main goal in the band now is to try to open people's minds a bit and to try to make interesting things happen. I guess every band's dream is to make music exciting again, and I'll go ahead and use that cliché. You know how many truly original, awesome albums I've heard in 2005 that came out in 2005? None. That bothers me. I just want to play live shows and turn that into a huge thing. And everyone that ever wanted to see us can eventually see us and hear us. Basically, there's a kid sitting there somewhere who NEEDS a band like Scissor Shock and they don't have it yet. So, I want to give that to them.



So what is music to you?
Adam: The art of arranging sounds.

(pause)...Well, ok. Do you ever work on music while drunk or something?
Sean: Haha, well...not usually...hmm...no.
Adam: I've never done drugs, drank, smoked or anything. It's odd, though. Our music ALWAYS has some kind of "drug" thing attached to it... people hear it and go, "Man. This is crazy. They MUST be on drugs." Funny.

Who do you think are your contemporaries?
Adam: Not sure yet...

You've just started to play live, how has it been?
Sean: Pretty fun...I mean, I had fun.
Adam: Well, we've played one show so far. It was WAY better than I thought it would be. Nothing fucked up, it went smooth, it was fun, and people stared and didn't know what to think. AWESOME!


Glad to hear, it shows by the pictures. You've covered songs by Big Black ("Passing Complexion") and Six Finger Satellite ("30 Lashes"); in your opinion, what makes a good cover?
Adam: You know, it's funny, I like very few covers. I like some Kindergarten Hazing Ritual covers and I like Cap'N Jazz's "Take On Me"...I dunno...I guess a good cover is just basically when you take the song you covered and make it your own.
Sean: Yeah, it should sound similar to the song...like, you know who it is by, yet it should reflect your style of music in it and have your own sort of twist too.
Adam: Yeah.
Sean: Yeah.

You recently wrote an essay detailing the recording of Super Yum Surgeon Boy, how important is the process to you, whether it is the songwriting process or the recording process?
Adam: Well, I think it's important that people share their techniques and such, especially artists who make their records on a budget of a few pennies, like myself. I get asked about a million times a day "HOW DO YOU MAKE YOUR MUSIC? WHAT DO YOU USE?" And I guess the point I want to stress is that no matter what I use, most people probably won't get the same effect with what they use. You just have to...use what you use...uh, yeah. I'm totally getting off track. I like to detail how I do shit, because it makes me all teary-eyed to read it later, though sadly it kind of also represents the fact that I spend more time reading and writing about music than listening to or making it. Oh well.

Do you think music will only live in digital form in the near future?
Adam: Yep, absolutely. It's funny, I'd buy CD's more often, but they're just so goddamn expensive. I saw Gang of Four’s Entertainment! in a book store the other day for $19.99. When did that CD come out? 1977 or something? I mean, seriously, a near-30-year-old 40-minute CD for $20?!. That's ridiculous! I'm not rich. (Edition: What Adam didn’t consider was that it was the reissue with 8 extra songs and other stuff and that it had been out of print for some years, but his point is clear, I didn’t buy the album either because of the price). It costs 43 cents to make the CD itself, and that's really the important part. I like the art and shit, but you end up seeing all the art, lyrics, and all the other info on websites anyway. So, yeah, I think music will eventually be all MP3s and CD-Rs eventually. Give it 10 more years. Did you ever notice the phrase "In God We Trust" only appears on the lesser denominations of our currency? You get up around the $1000 bill, and it just says "God, I Think I Can Take It From Here."



Do you think Johnny Merzbow is a character in your music or do you think he can become someone recurrent in your releases?
Adam: Johnny Merzbow is a scanner cop. That's all we know. He could be just another pissed off DMV zombie who makes you go to the end of the stooge line behind the guy who had one Tai Chi lesson and went into a biker bar to test it out. He's standing in front of you there in the crane position with a pool cue sticking out of his ass, blunt side in.

Do you find inspiration in stuff other than music, like movies or books or anything else?
Sean: I get motivation from my one and only true hero, the Pope. Sometimes, I pray and ask for insight, and I write what I feel, man... what I feel.
Adam: All the music I make comes from my dumb life.

What have you been listening to lately?
Sean: GWAR, Placebo, Fantomas, Pixies, Slowdive, Pig Destroyer.
Adam: +/-, .poundsign., !!!, 1.6 band, 1905, 1-speed bike, 31 knots, 400 blows, 90 day men, a day in black and white, a handful of dust, a luna red, a minor forest, a problem of alarming dimensions, a silver mt. zion, a spectre is haunting europe, a trillion barnacle lapse, aarktica, aaron dilloway, ac newman, accelera deck, acetone, aceyalone, acid mothers temple, advantage (the), aereogramme, a-frames, achim reichel, agitation free, agoraphobic nosebleed, air, air conditioning, airport girl, aislers set, aix em klemm, akarso, akimbo, alan licht, albert ayler, albert marcoeur, albrecht d, alcrataz, algarnas tradgard, all 7-70, alec empire, alternative tv, alvaro, alvin lucier, ame son, amm music, amon duul, amon duul ii, angel hair, animal collective, antipop consortium, aphex twin, arab on radar, arcane v, at the drive-in, atari teenage riot, athenian mercury, atom and his package, babyland, bananas (the), bellini, bellmer dolls, berg sans nipple, biblical proof of ufos, big black, bill orcutt, bjork, black cross, black dice, black eyes, blonde redhead, bloodthirsty butchers, boredoms, boris, botch, brainbombs, brainiac, bread and circuits, breadwinner, breather resist, brian eno, bride of no no, broken social scene, broken spindles, bucket full of teeth, bugskull, built to spill, burning star core, burmese, burnt by the sun, butthole surfers, cali gari, c average, califone, calla, calvary, camera obscura, cannibal ox, cap'n jazz, captain beefheart, causey way, charles bronson, child pornography, chinese stars, chrome, circle takes the square, clouddead, cobra kai, computer cougar, coachwhips, coalesce, coathanger '84, cock esp, comets on fire, company flow, converge, couch, crack: we are rock, cracker factory, cranes, crash normal, cream abdul babar, crom-tech, crimson curse, crispy ambulance, cub, cul de sac, dazzling killmen, deerhoof, deftones, despise you, DEVO, die monitr batss, dismemberment plan (the), dj rotting corpse, don caballero, double leopards, dracula does calculus, dragbody, drive like jehu, drowningman, dysrhythmia, earlimart, early day miners, earth, echoboy, eighties matchbox disaster, el da sensai, el guapo, elastica, electric company, electric wizard, eligh, ellen allien, embrace, empress, enablers, end on end, engine down, engine kid, enon, entrance, envy, erase errata, esg, esoteric, espers, euphone, even as we speak, examination of the..., ex-models, ex-girl, experimental audio research, experimental dental school, fantomas, flying luttenbachers, forcefed glass, former members of alfonsin, forstella ford, four hundred years, four tet, frodus, from ashes rise, fuck, fuck...i'm dead, fugazi, funeral diner, f.y.p, gang of four, ganger, gas, gastr del sol, ghost, ghosts & vodka, giddy motors, girlfrendo, girls against boys, glass candy & the shattered theatre, go betweens, go sailor, god is my co-pilot, godflesh, godspeed you black emperor, guitar wolf, guns n' roses, guyana punch line, gravediggaz, hair police, half japanese, hanatarash, hella, henry's dress, honor role, hot snakes, hum, i hate myself, i love you but i've chosen darkness, infomatik, i, robot, ian dury, iceburn, icewater scandal, icy demons, ida, idle tigers, idlewild, ifihadahifi, ignition, ikara colt, ill bill, ilya, imitation electric piano, impossible shapes, indian summer, ink and dagger, isis, isotope 217, ivy, jackie-o-motherfucker, jessamine, jesus lizard, jim o'rourke, joan of arc, joanna newsom, john cale, john coltrane, john henry west, john wiese, john zorn, jonathan fire*eater, joseph arthur, joshua fit for battle, joy division, joy zipper, jr ewing, juana molina, jucifer, julia, june of 44, juno, juno reactor, j-zone, kaito, kamikaze missions, kaos pilot, karate, karp, kate bush, kayo dot, kc accidental, keelhaul, keith whitman fullerton & hrvatski, kerosene 454, khanate, kid606, kid kilowatt, kid koala, kill me tomorrow, kindergarten hazing ritual, knifehandchop, kraftwerk, lab partners, labradford, laddio bolocko, ladybug transistor, lake of dracula, le shok, les savy fav, liars, lightning bolt, lost sounds, lotus eaters, love and rockets, love as laughter, love like electrocution..., loveliescrushing, low, low skies, l'spaerow, lull, lumen, lustre king, lycia, lydia lunch, lync, lynx,macrocosmica, mad capsule markets, magic markers (the), masonna, mastodon, mclusky, melt-banana, merzbow, metronome, miracle chosuke, mk ultra, mocket, morrissey, motocompo, mr bungle, my bloody valentine, my cat is an alien, my lai, my morning jacket, mystery girls, naked city, nation of ulysses, need new body, neon hunk, neutral milk hotel, no knife, number girl, numbers, nurse with wound, ocean colour scene, of sinking ships, off minor, officer may, omoide hatoba, oneida, ooioo, ooo, opal, o'rang, orchid, organ!, orthrelm, oswego, otis redding, out hud, outkast, outrageous cherry, ova!, oval, owen (the kinsella's), oxbow, oxes, painkiller, passenger of shit, pavement, pink and brown, pixies, placebo, polysics, q and not u, racebannon, radio 4, rah bras, ranger raccoon, rapeman, refused, robad pills, rocket from the crypt, rovo, ruinhorse, scissor girls, scissor shock, screamers (the), secret chiefs 3, servotron, shellac, sick lipstick, silver apples, shakhauchi surprise, six finger satellite, slint, slowdive, smiths (the), sonic youth, space streakings, spoozys, squarepusher, stagedive suicide, stylex, sun city girls, sunny day real estate, super junky monkey, sushi smash, swans, ted leo, television, thee michelle gun elephant, themselves, thunderbirds are now!, to live and shave in la, tora! tora! torrance!, turbonegro, twodeadsluts onegoodfuck, u.s. maple, ufo or die, ugly casanova, unicorns, usaisamonster, venetian snares, vicious hairy mary, violent onsen geisha, violent ramp, vss (the), wesley willis, whirlwind heat, whitehouse, wired, wolfgang dauner, wolf eyes, woorden, xbxrx, xerobot, xhol, xhol caravan, xiu xiu, ya ho wa 13, yaphet kotto, yellow swans, yoko ono, you & i, young and sexy, young ginns, zephyrs, zoviet france, zazen boys, znr, zoobombs, zweistein.



What's next for you?
Sean: College? Death? MURDER? I dunno, I'm going to Denny’s in about 15 minutes.
Adam: I'm going to kiss my girlfriend on the cheek.



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Scissor Shock's Website and store: www.geocities.com/scissor_shock
Scissor Shock in MySpace
Download something like 40 Scissor Shock songs at Soundclick
Brokecore Records: http://brokecore.chuunk.com/
Excitebike Tapes: http://www.exbxtapes.com/
Xdiedenroutey Records: http://www.xdiedenroutey.net/
Photos of Scissor Shock's first live concert ever courtesy of the band's site
LAST MINUTE: Scissor Shock Needs You!!

Monday, August 01, 2005

August 2 de Agosto Releases/Lanzamientos

*Agoraphobic Nosebleed – Bestial Machinery
*Black Sabbath – Best Of
*Boris – At Last-Feedbacker
*David Bowie – David Bowie Live (reissue)
*David Bowie – Stage (reissue)
*Johnny Cash – Legend
*John Coltrane – Bethlehem Years (reissue)
*Current 93 – How I Devoured Apocalypse Balloon
*Miles Davis – Movin’ On (reissue)
*The Fall – Perverted By Language (reissue)
*The Fall – Room To Live (reissue)
*Richard Hell – Spurts: The Story Of Richard Hell
*Janis Joplin – Box Of Pearls: The Janis Joplin Collection
*Kid 606 - Resilience
*Killing Joke – Ha! Killing Joke Live (UK Bonus Tracks)
*Killing Joke – Killing Joke (UK Bonus Tracks)
*Killing Joke – Revelations (UK Bonus Tracks)
*Killing Joke – What’s This For? (UK Bonus Tracks)
*Madredeus – Faluas Do Tejo: Lisboa 2004
*Charles Mingus – East Coasting (reissue)
*Pentagram – Day Of Reckoning
*Public Enemy – Power To The People And The Beat: Public Enemy’s Greatest Hits
*Ramones – Adios Amigos!
*Rocket From The Crypt – Scream, Dracula, Scream! (reissue)
*Slits – Live At The Gibus Club
*Underworld – Double Play: Second Toughest On The Infants/Beaucoup Fish (reissue)
*Violent Femmes – BBC Live
DVD:
*Axl Rose – The Prettiest Star
*Beulah – A Good Band Is Easy To Kill
*Black Sabbath – Rock Review: A Critical Retrospective
*John Coltrane – Trane Tracks
*Inside King Crimson – A Critical Review 1972-1975